The Shows Must Go On! wraps up three and a half months of programming with an encore screening of the Andrew Lloyd Webber musical that started the series: Joseph and the Amazing Technicolor Dreamcoat. Joseph and the Amazing Technicolor Dreamcoat
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Watch for free until Tuesday, September 8 on Lincoln Center's YouTube channel. Seldon, and New York City Ballet dancers Robert Fairchild and Tiler Peck in the Act II dream ballet. Mullin, Tony winner John Cullum (a former Billy Bigelow) as the Starkeeper and Dr. The supporting cast is just as impressive, with Tony winner Shuler Hensley as the villainous Jigger, Tony winner Jessie Mueller (a future Julie Jordan) as Carrie Pipperidge opposite Jason Danieley's Enoch Snow, Kate Burton as Mrs. Lincoln Center shares a recording of the New York Philharmonic's 2013 concert staging of Carousel, starring Tony winner Kelli O'Hara as Julie Jordan and opera star Nathan Gunn as Billy Bigelow.
Below are performances you can watch this weekend, July 11 to 12, for free or at very low cost. THE BOTTOM LINE One of our finest young playwrights continues his forward drive.įollow Adam Feldman on Twitter: here for discount Broadway and Off Broadway tickets.With in-person theatre out of commission for the foreseeable future, many companies and performers from Broadway and beyond have been showcasing their work online. Even so, The Few stays on course and, in the end, delivers. Bryan has an undead quality-he’s been hollowed out by Jim’s death as well as by years on the road-but his stiffness sometimes seems less world-weary than stage-actorly. But some essential sense of connection is missing from Laurence’s performance in the unsympathetic central role. (Every place name fits perfectly in place.) Dane Laffrey’s set wittily evokes a whole world of just scraping by, and Davis McCallum’s direction is in most regards ideal Lawrence’s tough, hurt practicality and Glick’s jittery sweetness are flat-out unimprovable. Those who saw Hunter’s excellent The Whalewill spot variations on many of the same elements and themes-from the isolated, self-destructive antihero to the deployment of old text as a bittersweet plot device-and the details in the dialogue are wonderfully chosen. (The year is 1999, before Craigslist and its ilk destroyed classifeds in print.) She has also hired a devoted new employee: Matthew (Glick), Jim’s gay teenage nephew, for whom Bryan’s old poetic-drifter articles were once an inspiration, and whom Bryan now immediately tries to displace.
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Since then, QZ has kept publishing the paper, which had been a beacon of community for lonely drivers but now consists mainly of personal ads. It has been four years since Jim died and Bryan disappeared without a word of explanation. As the play begins, Bryan (Laurence), taciturn and haggard, returns to the shabby office of the newspaper for fellow truckers that he cofounded years earlier with his girlfriend, QZ (Lawrence), and their best friend, Jim. Hunter was born and sets all of his plays, the characters in The Few have a farness between them. Gideon Glick, Michael Laurence and Tasha Lawrence star, directed by Davis McCallum.Įven by the standards of Idaho, the scarcely populated state where Samuel D. Hunter, whose The Whale was one of last season's standout dramas, returns with the story of a man who comes back to work for a truckers' newspaper after an unexplained absence of four years. With Michael Laurence, Tasha Lawrence, Gideon Glick. Rattlestick Playwrights Theater (see Off Broadway).
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